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2008 Flat
Earth. AV
08 Festival, Newcastle
2008 Decorative
Newsfeeds (Outdoors), The Junction,
Cambridge
2008 Flipped_Clock. Cover
Up Project Space, London
2008 Weather
Gauge.
GIMA Gallery for Internet & Media Art, Berlin
2008 Flipped_Clock.
GIMA Gallery for Internet & Media Art, Berlin
2007 Flat
Earth. Video Vortex 2, Montevideo,
Netherlands Design Institute, Amsterdam
2007 Google tea towels, Decorative
Newsfeeds.Multiplicities,
ARC
projects, Sofia
2007 Flat Earth. Animate
Projects first broadcast on 02/12/07
on Channel
4 Television.
2007 Flat Earth.
Screening at Whitechapel
Gallery, London
2007 Flat Earth.
Preview screening at Aurora
Festival, Norwich
2007 Flat Earth.
Preview screening at Encounters
Festival, Bristol.
2007 BEACON. NETworking, The
Haifa Museum, Israel
2007 BEACON as railway flap-sign,
FACT, Liverpool.
2007 Diminished 7th v1.1, The
LostO, Ashford, Kent
2007 Decorative
Newsfeeds (Gallery version), Accumulated
Outlook, Oakville
Gallery, Canada
2007 BEACON as railway flap-sign, BFI, London.
2007 BEACON projected version,
My
Own Private Reality, Edith
Russ Space, Oldenburg, Germany
2007 Short Films
about Flying. Feedback,
Laboral
Gallery, Gijon, Spain
2007 Decorative
Newsfeeds (Gallery version). Faith
in Exposure, Montevideo, Amsterdam
2007 Short Films about Nothing. After
Neurath, Stroom,
The Hague, Netherlands
2007 Triggerhappy & Short
Films about Flying. Digital
Aesthetic 2, Harris
Musuem,
Preston
2007 London,
New
Climates weblog curated by Shane Brennan
2006 BEACON. On & Off, Bryce
Wolkowitz, New York.
2006 Short Films
about Flying. A Retrospective of British Media Art,
Kunsthaus, Dresden
2006 Weather Gauge. Arcade,
Westbourne Studios, London.
2006 BEACON.
Faultlines,
The
New Museum &
Rhizome, New York.
2006 Light from Tomorrow . Edge
Conditions,
San Jose Museum of Art, California.
2006 Unprepared
Piano.
International Symposium of Electronic Art, San Jose,
California.
2006 Shopping. Retail Safari
, Monkeytown, New York.
2006 Decorative
Newsfeeds (Gallery version) &
Unprepared Piano. Neuberger
Museum of Art
2006 Solo Exhibition. Decorative
Newsfeeds (Gallery ) & Unprepared
Piano. Mejan
Labs, Stockholm.
2006 Network
Art: Practices and Positions. Edited by Dr
Tom Corby. Published by Routledge.
2006 Weather
Gauge. Jury recommended work at The
9th Japan Media Arts Festival, Tokyo.
2006 Decorative
Newsfeeds (Outdoors). Forest Hill, London.
2005 e-poltergeist.
Blur
of the Otherworldly, Center for Art and Visual Culture
at UMBC, Baltimore.
2005 Web biennial, Istanbul Contemporary Art Museum.
2005 BEACON
&
Weather Gauge. Computerfinearts
collection, New York.
2005 dot-store.
ArtBase 101,
New Museum of Contemporary Art, New York.
2005 BEACON.
40
artists 40 days, Tate Online, UK.
2005 Monograph
published by Film
& Video Umbrella, London.
2005 Winners of an Arts Foundation Award.
http://www.artsfoundation.co.uk
2005 Trooper.
Terror,
An online exhibition by Wooloo productions.
2004 Winter Wonderlands. Dreaming of a White. Art &
Business, London.
2004
templatecinema.com The
3rd Centre of Attention Art Prize, London.
2004 Fellowship at
The MacDowell Colony, New Hampshire, USA
2004 Short Films
about Flying.
Database Imaginary, Walter Phillips Gallery, Banff,
Canada & Touring.
2004 Telephony
Pass the Time of Day
Gasworks, London & Touring.
2004 Decorative
Newsfeeds (Gallery version),
Algorithmic Revolutions ,
ZKM, Karlsruhe.
2004 Short Films
about Flying
Passage of Mirage, Chelsea Museum, New York.
2004 Unprepared
Piano. Villette Numerique, Paris.
2004 www.copy-art.net
IBID projects &
ICA, London
2004 Solo exhibition.
Decorative Newsfeeds (Gallery) and
Trooper,
The Media Centre, Huddersfield
2004 Trooper.
The Deceleration Project, Shoreditch, London.
2004 Obituary &
e-poltergeist at
Haunted Media,
Site Gallery, Sheffield, UK.
2003 dot-store tea-towels and
Short Films about
Flying.
Agile Processes, Brussels, Belgium.
2003 triggerhappy .
Games. Hartware, Dortmund, Germany.
2003 Short Films
about Flying and
dot-store were at
DMZ, London.
2003 dot-store
,
The net art open 2003, The
Irish Museum of Modern Art, Dublin.
2003 Diminished
Seventh, Generative music system .
Arts Transpennine '03, UK.
2003 thomson-craighead.net.
London Calling, Sonar 2003, Barcelona.
2003 dot-store tea-towels .
Written in Stone -net.art archaeology,
Oslo MOCA, Norway.
2003 dot-store
and Short Films
about Flying.
DATA:BASE , Dublin
2003 Short Films
about Flying. Free-fall curated by Mike Stubbs forPeterborough
Digital Arts, UK.
2003 Weather Gauge. Bitparts
commissioned by
FACT , Liverpool.
2003 Solo Exhibition.
Short Films about Flying. Mobilehome, London.
2002 Solo Exhibition.
dot-store at
ICA, London.
2002 Telephony
& Driving through
Las Vegas. Mobile Phonics,z33,
Belgium.
2002 Remote
Conference,
Fruitmarket Gallery, Edinburgh.
2002
The Price of Freedom.
Remote , Iona gallery, Kingussie, Scotland
2002 Delegates at
Bridges II,
Banff Centre, Canada.
2002
dot-store at
BananaRAM, Ancona, Italy
2002 triggerhappy
@Game_on,
Barbican Gallery, London & Touring.
2002 Solo Exhibition.
Model Behaviour. V2,
Rotterdam.
2002 Driving through
Las Vegas. Re:mote, Photographers
Gallery, London.
2001 Telephony,
OX1 Festival, Oxford.
2001 Artcade, Museum
of Modern Art, San Francisco.
2001 Webwork show-cased @
SONAR, Barcelona.
2001
Game Show,
Museum of Contemporary Art, Massachusetts.
2001
help_me.
Slipstream, ICA, London.
2001 CNN Interactive
just got more interactive .
Art & Money Online ,
Tate Britain, London.
2001
Slipstream,
Film & Video Umbrella , London.
2001 Click here to
download 010101 artists' chatroom discussion.
2001 e-poltergeist.
010101,
Museum of Modern Art, San Francisco .
2000 Solo Exhibition.
Telephony, Mobile Home, London.
2000 triggerhappy.
Installation. Look & Feel, Beuro Friedrich, Berlin.
2000
Homeworks , Cambridge Darkroom Gallery
2000 Browser Archaeology.
Artists Entertainments Network, Walker Arts Centre.
1999
The Year Dot. Film & Video Umbrella.
1999 Solo Exhibition. Speaking
in Tongues. Installation, Cambridge Darkrooms.
1999 Solo Exhibition.
Shopping. Installation, Watermans Arts Centre, London.
1999
Internet works. Readme.txt by Benjamin Weil. Mediateca
del museo de monterrey, Mexico.
1999 triggerhappy
at The Festival of Video and Electronic Arts in Mexico City.
1999 Stall holders at
Expo Destructo post media flea market, London.
1999 Influence. Track on Audio CD curated by Underwood Audio,
London.
1999
Weightless. Internet work funded by Channel/Artec, London.
1998 Triggerhappy 'Pretty Vacant'
curated by Ronnie Simpson. Artezium, Luton.
1998 Speaking in Tongues.
Installation. Pandaemonium 1998, Lift Gallery, London.
1998 Trooper,
EBC (Everything Broadcasting Corporation) Telecasts from
ICA New Media Centre.
1998
Attributed Text. Internet work.
Omnizone, New York.
1998 Triggerhappy What difference
does it make? Cambridge Darkrooms.
1998 The Linguistic Turn curated by Michael Gibbs
1998 Triggerhappy. The Eyes of March.
Lux Gallery, London
1997 Contribution to
COIL magazine. Summer Issue 5
1997 Ground Control.
Artist exchange in Lithuania. Exhibitions in Vilnius and
London.
1997 Short
Story. Webwork Maid in Cyberspace, Montreal.
1997 Solo Exhibition.
Obituary. Installation. 30 Underwood St, London.
1996 Television Fan.
Installation. Ripe, Bluecoat Gallery, Liverpool.
1996 In an absence of empirical data. Artifice. CDROM&magazine.
1996 Altitude. Webwork. Manifesto, Rotterdam.
1996 Thalamus. Burning
the Interface, Museum of Contemporary Art, Sydney.
1996 Television Fan.
Installation. Nosepaint@Zap, Brighton.
1996 Television Fan.
Installation. On mouse up, London.
1996 Murder, Victim.
Installation. 50x50x50x50. Burbage House, London.
1995 Virtually Memory.
Single screen, Zone, Maidstone & Kunstlerhaus, Hamburg.
1995 Thalamus. CDROM.
Video Positive '95, Tate Gallery, Liverpool.
1994 Eat
within two days of opening. Audio track. Day at the
beach productions, London.
1994 Virtually Memory.
Single screen The National Review of Live Art, Glasgow.
1994 Second Nature. Installation. Visionfest '94, Liverpool.
1994 TV Archaeology.
Installation. BTNew Contemporaries. Touring.
1994 Virtual Narcissism. Installation.
Bedsit to Loft, London.
1993 A spurt is a forcible gush or jet of liquid. Nosepaint
@The Tannery, London.
1993 TV's don't bleed (but we do). Installation. Gallery
28, Reading.
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PUBLICATIONS & REVIEWS
ETC |
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2008 Nominated for the
Paul Hamlyn award for visual arts.
2007 Interview by Martin
John Callanan for Vague
Terrain, Issue 08
2006 Art,
Time & Technology by Dr Charlie Gere published by
Berg
2006
Network Art: Practices and Positions . Edited by
Dr Tom Corby.
Routledge.
2005 Sounding the Net. Contemporary
Music Review, Peter Traub,
Routledge.
2005
Thomson & Craighead. Mini-graph, Film & Video
Umbrella.
2005 Shortlisted for
the 3rd Centre of Attention Art Prize, London.
2005 Winners of an Arts Foundation Award.
http://www.artsfoundation.co.uk
2004 Fellowship at
The MacDowell Colony, New Hampshire, USA
2004
Nine Stories, NetartNews,
http://www.rhizome.org
2004
Internet Art by Rachel Greene, Thames & Hudson. Forthcoming.
2004 New Media Art: Practice and context in UK, 1994 - 2004.
Cornerhouse Publications
2004 Haunted Media. Exhibition review by Martin Herbert.
Art Monthly, April 2004
2004 The Deceleration Project. Exhibition review by Sarah
Kent.
Time Out, London, No. 1753
2003
Digital Art by Christiane Paul, Thames & Hudson World
of Art Series.
2003
Thomson & Craighead Interview for
Rhizome by
Charlotte Frost
2003
Internet Art: The Online Clash of Culture and Commerce,
by Julian Stallabrass. Tate Publishing.
2003 Thomson &
Craighead by Julian Stallabrass, written for
Evening Standard , London.
2002
Thomson & Craighead in Kultureflash (
http://www.kultureflash.net)
2002 Thomson & Craighead
by Lisa LeFeurve for
Katalog Journal of Photography and Video, Denmark.
2002 Mobile Zone by Rosemary Shirley,
Artists Newsletter , Feb 2002.
2002 Re:Mote by Sally O'Reilly.
Time Out, Dec 19 - Jan 02 2002.
2002 Re:Mote by Gemma De Cruz.
What's on in London , 19th Dec 2002.
2001
Art without wires , Karen Solomon for
ONmagazine, Sept 2001
2001
Curating New Media conference @
BALTIC Centre for Contemporary Art , Gateshead.
2001
Art & Money Online , Peter Schauer,
rhizome.org
2001 No
material presenceåœ, Saul Albert,
Cream 1 [Collaborative Research into Electronic Art Memes]
2001 Heavy Petting in the Virtual Zoo.
The Big Issue, Page 35, Mach 5 - 11 2001.
2001
Craighead & Thomson, British Council Design Lab, John
O'Reilly Feb 06 2001
2001
Leonardo Digital Review, by Barbara Lee Williams and Sonya
Rapoport, 15th Feb 2001
2000 Art
worth staying home for. by Reena Jana for
Wired, 2.00am 30th December 2000
2000 Thomson & Craighead by Dave Beech.
Art Monthly Dec/Jan 00 - 01.
2000 Telephony,
Time Out, London. Review by Martin Coomer, 29th November
2000.
2000 Pick of the galleries by Duncan McLaren,
The Independant on Sunday, 26th November 2000.
2000 Art I like by Julain Stallerbrass,
Modern Painters, Summer 2000
2000 Out of the Arcade & into the Art Galleries by Hettie
Judah,
The Times, Friday May 19, 2000
2000 Art and the Internet. The Art Book. Volume 7 Issue 1,
January 2000.
1999 Interview with Lisa Haskel at Expo Destructo post media
flea-market
1999 Featured on The Lounge TV and interviwed by Hari Kunzru.
1999 Weightless reviewed by Michael Gibbs for
Artists Newsletter, March 99.
1998
Pandaemonium reviewed by Izi Glover for
Rhizome Digest, New York
1998 Featured on BBC UK Arena as commissioned artist for Pandaemonium.
1998 What difference does it make? by Dave Beech.
Art Monthly, July-August 98.
1998 Gallery Commission. Pandaemonium UK.
1998 Channel commission for internet work. Artec, London
1998 Lecture on our webwork at the ICA, London. Part of Cached
series of talks.
1998 Nominated for the Paul Hamlyn Foundation Award for Individual
Artists.
1998 Small Grant for New Media, The Arts Council of England.
1997 The Corporate Aesthetic by Helen Sloan. Make Dec 97-Feb
98.
1997 Feature by Pauline van Mourik Broekman for Everything
magazine, issue 2:1 1997
1997 Interview on Lithuanian Television, radio and art journals
for Ground Control
1997 Obituary. What's On, March 97
1997 Article on our webwork. The Times Interface, December
4th 1996
1996 Lecture on our webwork @ICA, London. Part of Deep Screen
Diving series.
1995 Frieze, Issue 23. Multimediarama by Rick Poyner
1995 Kaleidoscope, BBC Radio 4. Interview, part of live broadcast
from Video Positive '95.
1995 Individual Artists award. The London Arts Board.
1994 Art Monthly, June '94. Review of BT New Contemporaries
by Catherine Elwes.
1994 CD launch for 'Don't play track one.' Participating artist.
BAFTA, London.
1994 Bristol Cable TV Network. Interview.
1994 BBC Radio news for Manchester area. Interview.
1993 The Thomson Award, Royal Scottish Television Society. |
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2001 Guest Selection made
for low-fi
locator, July 2001
2000
Just Art. Online Art, Eyestorm.com 06.10.00
2000
Loaded Images. Online Art, Eyestorm.com 08.09.00
2000
Finders Keepers. Online Art, Eyestorm.com 23.08.00
2000
Alter e-galleries. Online Art, Eyestorm.com 12.07.00
2000
Less clicking. More watching. Online Art, Eyestorm.com
07.06.00
2000
The Webbys. Online Art, Eyestorm.com 05.05.00
2000
Online at Video Positive. Online Art, Eyestorm.com 07.04.00
2000
Shifting Spaces. Online Art, Eyestorm.com 03.03.00
2000
Teenage Kicks. Online Art, Eyestorm.com 04.02.00
2000
Obscure Hobbies, Conspiracy Theories, and Art. Online
Art, Eyestorm.com 14.01.00
2000 An introduction to Net Art. BBC Webwise, 2000.
1999
Now We're Getting 'Serious'. Online Art, Eyestorm.com
18.11.99
1999 Crackle & pop.
Networks, Art Monthly November 1999.
1999 The Games we play.
Networks, Art Monthly October 1999.
1999 Old tricks.
Networks, Art Monthly June 1999.
1999 Computers can karaoke. Soundings, Artists Newsletter,
May 1999.
1999 Anthropology.net
Networks, Art Monthly April 1999.
1998
Three new projects at Stadiumweb. Written for
Rhizome Digest, New York.
1998 I won't promise you the earth. Marion Kalmus at Kettle's
Yard. Written for mute , issue 9
1996 In a shaded place. Wendy McMurdo at Site Gallery. Written
for mute,
issue 3
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